In an effort to persuade them, Dickson brought Dylan along to watch them play his song. They changed the time signature and cut right back to one verse, but still had doubts. Dylan was fast becoming as hip and influential as The Beatles, and of course Zimmerman and the Fab Four soon crossed paths.ĭespite this, The Jet Set weren’t really sure what to make of it at first. His version was four verses of beautiful, surrealistic imagery, with lyrics completely different to anything that had topped the charts before. That August their manager Jim Dickson had got hold of an acetate of the Bob Dylan song Mr Tambourine Man.ĭylan had written the track earlier that year and first recorded it during the sessions for Another Side of Bob Dylan. They hired session musicians to record a single, Please Let Me Love You, and briefly changed their name to The Beefeaters to cash in on the British Invasion, but it didn’t chart. Michael Clarke certainly looked the part, coming across like Brian Jones, but he could barely play the congas and didn’t own a drumkit, so he played cardboard boxes and a tambourine to begin with. They named themselves The Jet Set due to McGuinn’s love of aeronautics, and began recording demos.īy mid-1964 they had hired a drummer. David Crosby in turn approached them after a concert, and he began harmonising with them on stage. They decided to become a Peter and Gordon-style duo and also wrote their own material. Clark also loved the moptops, and approached McGuinn after watching him perform at LA’s Troubadour folk club. McGuinn had also worked as a professional singwriter at Brill Building, and his tutor was Bobby Darin, a UK number 1 artist twice.īy the time 1964 began, McGuinn had introduced Beatles songs to his repertoire. All three had previously been folk singers on the coffeehouse circuit in the early-1960s. The origin of The Byrds began in 1964 when Jim McGuinn, Gene Clark and David Crosby first worked together. Music was about to get a lot more colourful. Californian band The Byrds were also heavily influenced by The Beatles, who in turn would be influenced by them. The Animals had kick-started folk rock when they covered The House of the Rising Sun, but this single took folk rock to a whole new level.
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